From "Red Dog" to "Still Life"

Posted by Still Life actor Matthew Rauch--

Working with Alexander Dinelaris on his play, Red Dog Howls, was similar in many ways to my experience with Still Life so far. We have an amazing friendship, and I have been privileged to participate in the early stages of Alex's process on several pieces - to read early drafts, to talk through arcs and themes and structure with him. It's exciting to work closely with a writer whose voice I admire, and who speaks to his audience with such honesty and without a hint of irony. I find his use of muscular emotion to be tremendously refreshing. His words just seem to fit me, and when we are grooving, it's really really fun. Of course, Alex explores painful and profound themes in his plays, and with Red Dog Howls, we were dealing with some extremely delicate issues of collective shame and discovered identity. It was a difficult and rewarding process - incredibly emotional and cathartic. I consider myself very lucky to have been in that play, and of course this one, too. It's thrilling and a great honor to be a part of my friend's journey as a writer, and to be his companion on this path.

Photo (L-R): Darcie Siciliano, Alexander Dinelaris, Kathleen Chalfant, Matthew Rauch at the LA premiere of Dinelaris' Red Dog Howls.

Down Front again with the Lady in Question

Posted by John Catania and Charles Ignacio, Filmmakers—

Actors and directors who have been fortunate enough to be part of Charles Busch’s long career came to know us lovingly as “the documentarians” (first coined by actor Julie Halston), for our work producing and directing the feature length documentary, The Lady in Question is Charles Busch. From 2000 to 2005 we dogged Charles and the people in his life to find out the real story behind the talented writer/actor/director/leading lady who we felt was one of the greatest and most enduring theater artists of our time.

We first came to know Charles Busch through the TV lens when as producers we turned to him often throughout the 1990’s to contribute his talent to the long-running PBS series "In the Life." So when Charles was set to open his first Broadway venture as a playwright in November of 2000, The Tale of the Allergist’s Wife, we came to him with our documentary idea and started our cameras rolling. We hardly knew what we were in for that mild autumn night as we discovered over the next several years that the man beneath the wigs was far more complex, charming, driven, and devoted than any of his celebrated heroines.

Photo: L-R, Charles Igancio, John Catania and Charles Busch.

Now that he brings a new work to the stage with The Third Story, we welcome the event as another highlight in our theater-going lives, and we only regret that, having completed our film about his life and work, we were not there behind-the-scenes to document the process of another Charles Busch production. We always knew during our five years on his story that we were witness to the workings of a national treasure, and whether we were hearing his side-splitting and sometimes wrenching life-stories unfold in his Village apartment or backstage at some dusty New York theater, we had the time of our lives. We think that fun spirit of discovery is captured in our film.

After finishing The Lady Question is Charles Busch we traveled the film festival circuit with Charles to take questions from audiences eager to learn more, many of them wondering how he was able to break out in NY Theater in the 1980’s against impossible odds. We conducted our last post-screening discussion some two years ago, and so we are thrilled to once again be down front with the inimitable Charles Busch on February 10th in a post-performance discussion after The Third Story with MCC Theater. As Charles' story continues we can't wait to take our place in the darkened theater among his eager audience.

'The Third Story' - Playwright's Note

Posted by Charles Busch, playwright-

Writing and storytelling have always been a major part of my life, even though my second-grade teacher, Mrs. Laspina, refused to tack any of my stories on the wall with the other kids’ work. My spelling was awful, my grammar hopeless and my penmanship illegible. Still, she was forced to admit, my stories were the most creative in the class.

Where did I get this love of narrative? At a very early age, I began watching old movies on television. My father loved romantic films, and together we shed a tear over Greer Garson and Ronald Colman in Random Harvest and Bette Davis in Now Voyager and Norma Shearer as Marie Antoinette. Like most kids, I also loved fairy tales. The Disney animated Sleeping Beauty was an early obsession of mine. The stories that so perplexed Mrs. Laspina tended to combine the Brothers Grimm with Warner Brothers. There was usually a gentle Princess who was kidnapped away from her enchanted castle and ended up a hard-boiled dame working in a whorehouse...(more)